the magic of tying
Knot magic in adornment
Updated Jun 25, 2025
In many forms of adornment from the Middle East and North Africa, you’ll find a form of intricacy. Interwoven patterns, knots and complex shapes are added to jewellery and adornment for a reason: there is power in intricacy. That power goes back to the cultural significance of knotting, tying and binding. In this article, we’ll have a look at the magical meanings behind that simple act we all carry out on a daily basis, and that is tying a knot in something.
The history of knot spells
Knots are an ambivalent symbol; they are believed to have curative properties, but they are also said to restrain, bind and strangle.
Even in everyday language, the mention of knotting and untying is often used as a reference to having or solving problems: in Cairo for example, the question ‘Did you get untied?’ actually means ‘Did you solve your problems?’ [1] This power attached to knots dates back deep in in history. One way of undoing magic spells cast on you is untying the knots with which these have been bound together: untying knots is undoing magic.
Babylonian cuneiform texts from as far back as the eighth century BC reveal spells using knots [2], and in ancient Egypt, the hieroglyph denoting protection depicts a series of knots in a rope. In ancient Rome, the Hercules knot was regarded as a powerful talismanic symbol.
Knot magic in the Middle East: what do knots mean?
Knots have many meanings in magic: they can bind, but also strangle. In contemporary Egypt, a wool cord with seven knots, called an ‘uqad,is used to combat fever. The knots are tied by a ritual practitioner who subsequently blows on them, a practice also mentioned in sura 113 of the Qur’an.
The symbolism of knots in the Middle East is powerful. In Syria, both bride and groom take care not to have anything knotted in or on their wedding costume in order to ensure fertility and health. A Palestine lullaby sings ‘Oh our moon, oh sleepy one, loosen your girth and go to sleep’: the loosening of the girdle brings about a state of relaxedness and comfort. [3]
The importance of knots in transition stages is illustrated by a death ritual of the Mandeans in Iraq and Iran. When a sick person is dying, he is washed and clothed in new clothes, but the knot of his girdle is left unfinished. Upon the moment of actual passing, the knot is completed, and after death the last, final knot is tied and the girdle arranged properly. [4]
Knot magic as protection
Intricate knots are often present in amulets: their goal is to utterly confuse the evil eye in order to distract its attention from the wearer or inhabitant of the house. Knot patterns on engraved seals serve the same purpose, besides their wonderful ornamental value, and mark the end of Quranic verses on written amulets. [5]
Written spells are sometimes seen encircled by a border of knots or braids [6], another example of the way these intricate motifs helped to keep evil out and thus enhance the power of the spell.
Tying a knot in your hair was also considered an effective way against spirit possession in Sudan: if you had been previously possessed and were to attend a possession ritual for someone else, tying a knot into your hair would ensure you would not be bothered by a spirit. [7]
What do knots of fabric in trees mean?
Related to tying knots is the use of textile scraps in places that carry significance. Trees near shrines, graves, tombs and (surprisingly often) ancient ruins sometimes carry worn and bleached pieces of textile in their branches. These are tied there on behalf of sick people, hoping the saint, deceased or spirit of the place will heal the owner.
That this practice is still very much alive is for example seen in the visitor regulations of the Shah-i-Zinda mausoleum complex in Samarkand: the rules clearly state that tying a knot is forbidden.
Tying knots: a small ritual of the everyday
You see how a seemingly mundane object, the knot, may represent so much more than just a utilitarian aspect of life. Because beyond the directly utilitarian, the act of tying a knot is often highly meaningful, but after a while all we are left with is the material component of ritual: a simple knot.
Although these materials remnants of magic are inconspicuous and often do not survive in the archaeological record [8], they are among the most used forms of everyday magic and can be seen everywhere if you realize where to look!
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Where can I find more on everyday practices in magic and jewellery?
Find out more about the magic of acts and gestures in the e-course on Amulets and Magic in Jewellery,
…explore more articles on magic in jewellery from the Middle East here…
or download the free e-book on amulets and talismans!
This post is partly based on the chapter ‘The Evil Eye and Other Problems’ on magic and jewellery in my book Desert Silver.
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References
[1] Early, E. 1993. Baladi women of Cairo: playing with an egg and a stone. American University in Cairo Press, Cairo, p. 127
[2] Day, C. 1950. Knots and Knot Lore, in: Western Folklore, Vol 9, no. 3
[3] Masterman. E.W.G. 1901. Dress and Personal Adornment in Modern Palestine, in: The Biblical World, Vol. 18 No. 3
[4] Drower, E.S. 1937, The Mandaeans of Iraq and Iran, p. 260
[5] An example is seen in V. Porter, 2017. Arabic and Persian Seals and Amulets in the British Museum, p. 179
[6] Nünlist, T, 2019. Enzauberte Amulettrollen, in: Günther, S. and D. Pielow (eds), Die Geheimnisse der Oberen und Unteren Welt: Magie im Islam zwischen Glaube und Wissenschaft, Brill, Leiden, p. 252
[7] Zvenkovsky, S. 1950. Zar and Tambura as practiced by the women of Omdurman, in: Sudan Notes and Records Vol. 31, no. 1, p. 81
[8] Like noted for example by Cameron Moffett, 2019, in The Amulets of Roman Wroxeter: Evidence for Everyday magic, in: Transactions of the Shropshire Archaeological and Historical Society 94, p. 46
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The Bedouin Silver Jewellery Blog: Sigrid van Roode
Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery, and obtained her PhD at Leiden University on jewellery, informal ritual and collections. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only. Sigrid strongly believes in accessibility of knowledge, and aims to provide reliable and trustworthy content: that’s why the Bedouin Silver blog provides references and citations.

