Jewellery blogging

100 jewellery blogs

Published Dec 29, 2023

This piece is the 100th blog on jewellery! Would you believe it? Time truly flies. A lot can happen in 100 blog articles, and so I wanted to share more of personal perspective on the things I learned during these 100 blogs on jewellery from the Middle East and North Africa. Settle in for the good, the bad and the amazing of blogging on traditional jewellery!

Collecting silver jewellery from the Middle East and North Africa

But first, a little on how I got into this! I started collecting jewellery back in 1995. At that time, I was a student of Egyptology, and I loved hanging out in Cairo’s Khan el-Khalili to look for old jewellery. It still feels like yesterday, even though it’s almost 30 years ago.

Now in those days, the Internet was not what it was today. Social media were not invented yet (I know! Shocker!), having a personal email address was new, and any information still traveled slowly. These were the days that a computer was a big plastic box that could handle all of 250 MB, most households still had one telephone in a fixed place, and when I went to Egypt to work on an excavation, chances were my family would receive my letters only after I had returned.

That went both ways: the most exciting part of working on an excavation was heading out to Cairo once a week, and check if letters from friends and family had been delivered.

So that tells you two things: yes, I am that old, and there was very little reliable info on jewellery around when I just started out. The excitement when a new book appeared on jewellery was just as intense as that feeling of joy when a handwritten letter had found its way to me in Cairo – wow! Something new to read!

A silver amulet container from Egypt, placed on handwritten Arabic magic squares

Blogging on traditional jewellery from North Africa and the Middle East

How different things are today – there is so much out there on all things jewellery from North Africa and Southwest Asia! At just a click of a mouse or a tap of the finger, there is a world of images and info available that I only could have dreamed of all those years ago. To me, it is absolutely fantastic to browse Pinterest-boards and chat with people from all over the world through social media who share that passion for traditional jewellery.

But…that is also where the flip side is, I think: in the lightning speed with which information travels the Internet and our ever-shortening attention span. When I do online research, I come across the same tidbits of info repeated again and again. Absolutely, there is so much interesting stuff out there! That also includes tons of content that is copied and shared over and over again, but not necessarily always true or even reliable. More, yes, but not always better.

Jewellery blogging: all the good

That is partly why I decided to start a blog. The other reason, of course, is that I just love talking about jewellery! And, as it happens, I also really, really love to write.

By starting my own blog, I could write about everything I find fascinating or beautiful about traditional jewellery – and that is a lot. A hundred posts on jewellery from the Middle East and North Africa, and it feels like I’m just getting started!

The absolute amazing part of blogging is the number of people I have ‘met’ through blog posts or social media posts. I could never have dreamed of the community I found simply by writing about jewellery, and starting a blog honestly is one of the best decisions I ever made.

Nerding out in the notes: jewellery blogging with transparency

Blogging provides me with the opportunity to add solid information to the digital world. And one of the things I learned in the past 100 jewellery blogs is that I prefer to include references. At the end of most of my blog articles, you will find the exact place where I got specific information from. If it’s available online, I include a link to it. If someone told me, I am clear about that, too.

I want to be as transparent as possible on where I get my information from. Providing clear references helps all of us with our own research. That’s why referencing is standard practice in published articles, and I don’t see why I should not apply the same to blog posts. You can always skip them, they’re at the bottom end for a reason!

Detail of coins and beads on a bright red Palestinian headdress

Blogging on jewellery collection management

There is a segment to jewellery collecting that does not get all that much attention online: how to actually manage a collection of traditional jewellery from the Middle East and North Africa? There are practical aspects to consider like cleaning silver, storing and documenting, but what to do with your jewellery collection later in life? Sell it, donate it…and how to go about that?

And then there are the ethical and legal aspects to consider. What about coral beads, ivory bangles, excavated beads, archaeological jewellery…can these just be bought and sold? And what is this whole provenance-discussion about, specifically for collectors of traditional jewellery from the Middle East and Southwest Asia?

I decided to blog about those practical things, too, and over the past 100 blogs I learned that these tips for jewellery collectors are among the articles that you refer back to most often. I’m really glad to be of help in this way!

Sigrid van Roode, wearing a summer dress, reading books on Tuareg jewellery

Blogging about jewellery books

Even though the digital world is amazing, I adore books. There are a lot more of those since I first started out, too, and one of things I love doing the most is reviewing the latest books on jewellery and related fields for you. Opening that package straight from the publisher still brings the same level of excitement as 30 years ago! I guess I’m one of the biggest book nerds you’ll ever meet.

Over the past 100 jewellery book blogs, I learned that you like these posts: they are appreciated by people who are on the fence on whether or not to buy a particular jewellery book, and by people looking for titles they might enjoy.

Here as well, I found that being transparent adds to the value of the blog: I’ll always mention whether I received a book as an advanced reading copy, or if I purchased it myself, whether it was gifted by the author, or any other way a book may have found its way to me.

The tarnish on jewellery blogging: copyright things

Blogging sounds simple, but it is not the marshmallow-hued world of sipping latte’s in fashionable coffeerooms that the Internet would have you think of: a lot of work goes into these articles. Especially if you’d like your photos to look nice and your texts to be referenced. Writing blog posts just takes serious time.

And then suddenly, there is that first realization that someone has copied your work, copyright policy nothwithstanding. That is a reality I learned in 100 blog posts, too.

Here are some examples of things that actually happened. Please forgive me if the following sounds blunt! But I promised you the bad, too, so here we go.

I’ve had some of my photos decapitated to cut off the ‘Bedouin Silver’-text (granted, the text was at the bottom of the image, so it’s more like defooted) – and in doing so, part of the object on the photo was removed, too. It’s beyond me how anyone could want to pass off a photo as their own so badly they would purposefully damage the image itself, too.

I’ve had people copy my social media posts and present it as their own. It happens a lot with the texts I wrote with those posts: these I regularly find literally copy-pasted into online sellers’ descriptions; without acknowledging that it was not them who researched and wrote those lines.

A special shout-out at this point to jewellery dealers with online galleries of traditional jewellery: I know your images are getting snatched, too, and presented in shady online shops as if they were for sale. I feel you!

But: it gets even crazier. I’ve seen people give talks in which their presentation sheets were made of my photos and texts, but without a single credit line. That has happened to other researchers I know, too, one of which actually attended a talk made largely with her material. It made for a super awkward Q&A.

To be completely honest with you, it still hurts each and every time I see my work copied and shared without proper credit. I can’t think of another label to put on that feeling. I don’t mind the sharing itself (on the contrary, I’d say!) but please do me the courtesy of acknowledging my time and effort.

Well, that was it for the bad! After writing 100 posts though, I can confidently say that the good outweighs everything else. So…

…another 100 jewellery blogs coming up!

All of the appreciation, friendship and community (as well as the occasional copyright infringements) I get, signal one thing: apparently, this type of jewellery blog is just the thing people are looking for.

I honestly love receiving your feedback, the friendships that have formed over the years and the lively jewellery discussions I have had. I’ll be blogging away on this end, and I’m excited to continue contributing to the jewellery community of collectors, researchers and scholars.

Another 100 jewellery blogs…? Coming right up!

Join the Jewellery List and receive new articles, jewellery news and more in your inbox!

More historical background on jewellery from the Middle East and North Africa? Check out the course on Ancient Jewellery!

Would you like to quote this article? Please do! Here’s how:

S. van Roode, [write the title as you see it above this post], published on the Bedouin Silver website [paste the exact link to this article], accessed on [the date you are reading this article and decided it was useful for you].

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.

Discover more from Bedouin Silver | Jewellery Blog & Courses

Subscribe now to keep reading and get access to the full archive.

Continue reading