magic of keys
Keys as amulets
Among the forms that are not immediately associated with amulets, is that of a key. Yet they appear as amulet in several ways throughout the Middle East and North Africa, from actual keys to images of keys. You will see them dangling from necklaces, included as miniature charm on charm necklaces, and alluded to in embroidery for example. What is the symbolic meaning of a key? In this article, I will introduce three ways keys hold significance as amulets in the Middle East.

Power of keys: materials and amulets
First off, the material that keys were traditionally made of, is powerful in itself. Jinn are known to be afraid of iron, (see here why that is) and so anything made from iron would keep them at a distance. Keys, which for a long time were made of iron, fit that criterium perfectly. The image of the necklaces worn by a Bedouin woman from Oman shows her wearing a set of keys amidst leather amulet pouches: most likely, the keys also serve an apotropaic function.
A more recent version of a key as amulet is the silver key from Oman, shown below, which is shaped after a modern key. In North Africa, tiny keys sewn on to children’s clothing help prevent an early death. [1] (see here which spirits were feared for harming children). In 1915, a baby boy in Algeria was seen adorned with a series of amulets, including two iron keys, and the author observing that practice also noticed that keys were worn commonly as a charm. [2]

Key symbolism: locking and unlocking
There is more to keys than just the material they are made of, and is where their function comes into view. Keys, of course, lock and unlock things. The concept of locking and unlocking is closely related to a woman’s fertility: not so much in terms of chastity, but in the context of spirits blocking her from getting pregnant or causing a miscarriage. In that respect, keys function in a similar fashion to knots and knotting (see more about that here).
Here, keys are often combined with locks: amulets in the shape of locks were believed to prevent miscarriage in Egypt, as these ‘lock’ the womb until the time of birth has come. [3] When a birth is difficult, the reverse principle is used, and the key to a saint’s tomb is placed on the lower back of the mother to ease the birth. [4]

Keys in ritual: protection and knowledge
Keys are also symbolic of accessing protection and knowledge. An example of that are the magical bowls of the Yezidi, where tiny amulet plaquettes are attached to its rim. These are called kilit, which literally means ‘key’ in Kurdic. [5] These amulet plaquettes can also take the form of an actual key, such as shown above.
The general idea is that the key amulet would enhance the efficacy of the bowl by submerging it into the water of the bowl. [6] Bowls like these were used in informal ritual aimed, again, at securing healthy pregnancy and safe births, as well as protection from evil forces. [7]
Keys as amulets: the magic in everyday objects
A seemingly simple household item may hold deep significance on a supernatural level: this example of keys shows how ‘magic’ is not something alien or mysterious, but something that is expressed in forms and shapes most familiar to us.
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What kinds of amulets exist in North Africa and the Middle East?
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References
[1] Hansmann, L. and L. Kriss-Rettenbeck 1977. Amulet und Talismann. Erscheinungsform und Geschichte. Verlag Georg D.W. Callwey, Munchen, p. 240.
[2] Hilton-Simpson, M.W. 1915. Some Algerian Superstitions Noted among the Shawia Berbers of the Aures Mountains and their Nomad Neighbours, in: Folklore Vol. 26, no. 3, p. 233 and p. 240.
[3] Hansen, N. 2006. Motherhood in the Mother of the World, PhD-thesis, University of Chicago, p. 116.
[4] Idem
[5] Biesterfeld, H. & D. Pielow (eds) 2019. Die Geheimnisse der Oberen und Unteren Welt. Magie im Islam zwischen Glaube und Wissenschaft, Brill, Leiden. p. 469-470 for a description of these bowls.
[6] Idem, p. 469
[7] Idem, p. 472-473
Sigrid van Roode
Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.