Khalili eye beads: Palestinian glass beads from Hebron

Khalili eye beads: Palestinian glass beads from Hebron

Glass eye beads from Hebron

Khalili eye beads: Palestinian glass beads from Hebron

Updated October 1, 2025

Eye beads are among the most recognisable amulets in the Middle East, but Palestine has its own distinctive variation: the Khalili beads of Hebron (al-Khalil). Produced in the city’s glass workshops during the 19th and early 29th century, these beads were made in many sizes, often with local names like “rooster’s eye” or “camel’s eye.” They were so popular that they were sold far and wide.

Today, Khalili beads survive in museum collections and family heirlooms, offering insight into Palestinian glasswork, jewellery traditions, and protective beliefs. In this blog, part of my series on amulets in jewellery, we’ll take a closer look at how these unique beads were made, used, and understood.

The origin of Khalili eye beads in Hebron (al-Khalil)

The Arabic name of Hebron is al-Khalil. This is how the town was known to its Arab-speaking inhabitants. That’s an important observation to make, because the name of these beads is derived from the place where they were made. These beads are called khalili: from al-Khalil.

A photo in National Geographic Magazine of April 1934 pictures a glass workshop in Hebron, where strands of such eye beads dangle from wooden racks. [1] This image is shown below, click to enlarge: I have this volume in my library, and added a dash of blue to guide your eye to the beads – do you spot the glass vessels on the tray in front of them?

How to recognise Palestinian Khalili glass eye beads

What do Khalili eye beads look like? They are flat beads of a circular shape. In the centre, you’ll have a white glass disc with a black dot of glass in its centre. Around that, concentric rings of glass were added. Garcia Probert describes in them in detail in her book on the Tawfik Canaan collection: the outer circle could be executed in blue, green or black; the second one would be yellow or orange. [2]

They work along the same lines as other eye beads: see this blog post for a quick introduction on the cultural context of eye beads and how they are supposed to work.

Sizes and local names of Khalili eye beads

These eye beads from Hebron were produced in several sizes: you could say they existed in small, medium and large varieties. And these sizes each had their own name.  The small ones are called ‘rooster’s eye’ or ‘ayn al-dik. The medium-sized ones are called ‘ayn al-qa’ud: dromedary eye. And the big ones are named after camel eyes, ‘ayn al-gamal. [3] Beads without a black dot for a pupil, so just consisting of a white centre with coloured circles around that, are called ‘ayn amya. [4]

How would you decide which one to pick? Garcia Probert suggests that the size of the bead may be related to the severity of the symptoms of someone in need of an eye amulet: big issues, big beads. [5]. And while I totally see how that could work, I think the choice for a particular size could also be inspired by what you would be using it in, and maybe your budget would also play a role here.

Assuming that smaller beads cost less than big ones, maybe a small bead could be all someone could afford. And then there is how you would be wearing it. An inconspicuous small bead attached to a dress would still be effective against the evil eye, and a larger bead threaded on a necklace would also double as adornment. So, how were they used…?

Khalili beads in museum collections

A significant obstacle to understanding these beads is that we know them mostly in collected context. The beads we find in museum collections seem to have been purchased directly from the sellers of such beads. And that is not just in Palestine: these beads were very popular and were exported to, for example, Istanbul and Venice.

The collection of the Pitt Rivers Museum in Oxford holds Khalili eye beads that have been purchased in Hebron itself, in Jerusalem, but also in Istanbul and Italy. What I noticed about these, is that they are usually strung together as 4 or 5 beads or so. You can’t wear them that way, it looks as if they come straight from a bead seller.

Only in a few cases do you see a complete strand of them, labeled as ‘necklace’ – but is it? The first strand shown above is labeled as ‘necklace’ in the database of the British Museum, but with a length of 19,5 centimetres they’re on the short side for necklaces. Larger strands exist as well, such as the other one shown above, which measures 41 centimetres. As you see on the image above of the bead seller, he has indeed various lengths on offer.

Were Khalili beads worn in jewellery?

What evidence can we find of these beads being used? I went through a stack of resources to see if there is anything showing these beads being used in jewellery: collections of jewellery from Southwest Asia, and old photographs.

I found that, unlike the saba ‘uyun beads, Khalili beads do not seem to have been worked into jewellery and dress all that much: you will not find them set in silver, in for example a pendant or ring, or worked into necklaces, whereas the saba ‘uyun or Seven Eyes beads feature heavily in jewellery. There are plenty of jewels made of blue beads, but these particular beads are not part of those.

What is more, going over lots of old photographs, I saw no one wearing bracelets or necklaces made of Khalili eye beads, while beaded jewellery in general is abundantly available – apparently, strung together as we find them in museums was not the mainstream way of wearing these things.

Yet, these beads were produced in the thousands….they have must have been used somehow!

Khalili eye beads as amulets against the Evil Eye

And then I found them in use! The British Museum has two amulets in its collection that feature a Khalili eye bead as part of their design: in fact, these beads sit in the centre of the amulet. In that respect, the little note with two of these beads I photographed in the Pitt Rivers Museum in Oxford (in the gallery above, click to enlarge) is also interesting: this labels the beads as ‘amulets’. So instead of complete ‘necklaces’ that help fight the evil eye, these beads seem to have been produced as individual eye-catchers (pun intended, sorry).

Explore the meaning of beads against the Evil Eye in this main article

Unanswered questions about Palestinian eye beads

I wonder if the Palestinian eye beads as we see them in museums today could not rather be strands as they come from the seller, instead of finished jewels as they are often labeled now.

The eye beads are, to my current knowledge, not present in regular jewellery and not visibly worn as complete necklaces or bracelets. They do occur as parts of amulets, and so I can’t help but wonder if we might find these attached to dress or veils, amulets hung on children’s cribs, attached perhaps to bonnets of babies….instead of used in jewellery.

And that is interesting to me in itself: apparently, this type of bead is not something you’d make jewellery of.

I’ll be on the lookout for them: if you spot one, please drop me a line? I’m very interested to learn what you make of these: together, we always see more!

Frequently Asked Questions about Palestinian eye beads

What are Khalili eye beads?
Khalili eye beads are glass beads produced in Hebron (al-Khalil), Palestine. They were made with eye-like designs and believed to protect against the evil eye.

Why are Palestinian eye beads called Khalili beads?
They are named after their place of origin, Hebron, which is called al-Khalil in Arabic. The city was known for its glass workshops that specialised in bead production.

Did people wear Palestinian Khalili eye beads as jewellery?
Research has shown that they were generally not used in jewellery such as necklaces or bracelets. Instead, they may have been carried as amulets, hung in homes, or kept as protective objects.

Why do Khalili beads come in different sizes?
The beads ranged from small versions to very large ones, with local names such as “rooster’s eye” and “camel’s eye.” These variations likely reflected different symbolic uses or preferences.

Where can Palestinian Khalili eye beads be found today?
Production ceased in the 20th century. They survive in museum collections, including the British Museum and Pitt Rivers Museum, as well as in family heirlooms passed down through generations.

Palestinian Khalili glass eye beads: meaningful beads

Khalili eye beads show how Palestinian glassmakers contributed to the long tradition of amulets against the evil eye. Their varied shapes, sizes, and names reveal how deeply these beads were woven into everyday life, from workshop production to personal adornment. While not always worn in jewellery, they remain powerful reminders of how people in Palestine sought protection through the objects they carried and kept close.

This blog is part of my series on amulets in jewellery — alongside posts for example on triangular amulets, glass amulets, and clove necklaces. Together, these stories show how materials as different as glass, cloves, and silver were all drawn into the shared human desire for protection and meaning.


Find out more about the symbolism of jewellery in the e-courses!

More posts on amulets, charms and magic? Browse them all here!

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References

[1] National Geographic Magazine, vol. LXV (1934), no. 4, p. 513

[2] Garcia Probert, M. 2021. Exploring the life of amulets in Palestine. PhD thesis, Leiden University, p. 80-81

[3] Garcia Probert, M. 2021. Exploring the life of amulets in Palestine. PhD thesis, Leiden University, p. 81

[4] Garcia Probert, M. 2021. Exploring the life of amulets in Palestine. PhD thesis, Leiden University, p. 81

[5] Garcia Probert, M. 2021. Exploring the life of amulets in Palestine. PhD thesis, Leiden University, p. 81

Would you like to quote this article? Please do! Here’s how:

S. van Roode, [write the title as you see it above this post], published on the Bedouin Silver website [paste the exact link to this article], accessed on [the date you are reading this article and decided it was useful for you].

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery, and obtained her PhD at Leiden University on the jewellery of the Egyptian zar-ritual. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.

The evil eye in jewellery

The evil eye in jewellery

power of the eye symbol

The evil eye in jewellery

Updated August 08, 2024

What is the point of evil eye jewellery? Beads in the shape of an eye are a familiar sight all over the world, and it is a shape that goes back at least 3,500 years. What does it represent, and which other forms may eye jewellery take? In this article, I’ll explore how the symbol of the eye appears in jewellery, and what it means.

Let’s start by addressing what the evil eye is…

In essence, the evil eye is nothing else than jealousy or envy. I suppose we can all relate to what that feels like: that moment when you realize someone is jealous of you, or something you have achieved, or something you own, that moment makes the hairs on your arms stand up and your spine tingle. You awkwardly try to divert their attention to something else by changing the topic of your conversation, but the harm has been done.

And the thing is, you have seen it in their eyes as well as in their behaviour. That glance, that look, that split second? That was the evil eye being cast at you.

Jealousy may leave us feeling anxious, threatened, insecure or even betrayed – jealousy affects our basic need of feeling safe and valued, so no wonder this feeling has been believed to bring visible and material harm as well.

A telling example comes from the Aures Mountains, Algeria. Here, it was reported that with every glance cast a jinn traveled along with it, and that jinn would harm the person or the thing that the glance was directed at. [1]

Evil eye symbolism draws on that looking and staring.

The eye is called ‘ayn al -hasad (‘eye of envy’) or nazar (‘glance, look)’ The concept of envy has been visualized in a symbol that captures it all: the eye. Envy and jealously arise from something you’ve seen, and it is transmitted through glares and glances. The eye represents both aspects: becoming jealous, and showing it.

Incidentally, you may have experienced that openly staring at something or someone for too long is considered inappropriate in many cultures: that is that same act of looking that may make a person feel uneasy. Even if it is not because of jealousy, but out of admiration!

Staring too long in either case is inappropriate, and being too vocal about your admiration of someone or something may alert jinn, who are known to turn jealous easily…and we’re back to square one.

The eye is a universal symbol that has been in use since the early civilizations, so it is not unique to Islam only, and it is not unique to one particular country either. The history of the eye in jewellery can be traced back to the distant past: in Egypt and Mesopotamia, the concept of the evil eye was already known. [2] Eye beads have been found in archaeological excavations across the Mediterranean and throughout Europe.

How and why is the evil eye used in jewellery?

And that brings me to the question how the evil eye is integrated into jewellery, and what its purpose is. Here, I will focus on jewellery in the shape of an eye only.

The eye symbol is not just a symbol, putting a shape to that complex, uneasy feeling, but is sometimes also thought of as an entity of its own.

And jewellery counteracts that concept of the evil eye through a huge variety of forms, shapes and guises: this blog series highlights many of those amuletic capacities of jewellery. One of those is jewellery in the shape of an actual eye, so let’s look at that next.

What is evil eye jewellery?

Basically, jewellery in the shape of an eye is the first line of defense against such malicious glances. The idea is not that the wearer is casting the evil eye herself, but it works more along the lines of mirroring and deflecting. The moment ‘that’ look is shot in your direction, it will be met with a counter-gaze. That is where jewellery in the form of an actual eye gets its power from.

Usually, these will be glass beads in the shape of an eye, but there are a few other forms as well that take the form of an eye. Banded agate for example can be fashioned into eye-beads, and has been used as such for at least two millennia.

Cowrie shells may be used as a ‘stand-in’ for an eye too, as they resemble the shape of a half-closed eye. [3]

Are evil eye beads bad, then?

That’s a question I hear a lot. The term ‘evil eye jewellery’ or ‘evil eye beads’ has become so commonplace that we would almost forget that this is a contraption of two different things: the evil eye itself (a bad thing), and the eye symbol that is believed to work against it (a good thing).

The eye beads on charm bracelets and necklaces are not evil themselves – they deflect evil.

Whether you feel comfortable wearing them is a matter of your own values, but historically, eye beads and eye jewellery are not designed as evil. They serve to counteract evil.

And what about the blue in evil eye jewellery?

Historically, these evil eye beads appear as blue eyes. That is of course related to the cultural importance of the colour blue, to the relative rarity of people with blue eyes around the Mediterranean (‘relative’, mind you – they did and do exist), but also to the limits of technical possibilities in the past.

Nowadays, you’ll find eye beads in all colours including yellow, pink, orange or green. These are marketed with nifty sales pitches, promoting various amuletic capacities for every colour: I found pink eye beads plugged as serving ‘love’, but also to ‘neutralize disorder’ or ‘protecting friendships’.

Here, it would seem the millennia old eye symbol is now being merged with modern-day interpretations of colours and their perceived powers. This is more of a marketing concept than embpodying actual beliefs that are rooted in history – these forms of the evil eye are often mass-produced in China and serve no other purpose than profit.

The evil eye is perhaps oldest amulet symbol in the world. It is still being used and acquiring new meanings today, developing along with the changing needs, spiritual convictions and economic savy of today’s world – but in doing so, it is at risk of becoming a commodity only.

Very specific forms of eye beads

There are several specific forms of eye beads throughout North Africa and Southwest Asia: in many regions, unique traditions have developed that take their own spin on evil eye beads. Some examples are here on the blog:

The ‘Seven Eyes’ blue bead that you’ll find throughout Southwest Asia…but what is it, and what are those seven eyes?

Khalili glass eye beads from Hebron were popular from Southwest Asia to Italy: how were they worn? This article explores.


Where can I learn more about evil eye beads and jewellery?

Find out more about the histories behind amulets in the e-course on Amulets and Magic in Jewellery!

Or start by downloading the free e-book on amulets and jewellery here.

More posts on jewellery and amulets? Browse them all here!

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References

[1] Hilton-Simpson, 1915. Some Algerian superstitions noted among the Shawia Berbers of the Aures Mountains and their nomad neighbours, in: Folklore Vol. 26 No. 3, p. 228.

[2] S. Gunther & D. Pielow (eds) 2018. Geheimnisse der Oberen und Unteren Welt. Magie im Islam zwischen Glaube und Wissenschaft, p. 29.

[3] Hilton-Simpson, 1915. Some Algerian superstitions noted among the Shawia Berbers of the Aures Mountains and their nomad neighbours, in: Folklore Vol. 26 No. 3, p. 229.

Would you like to quote this article? Please do! Here’s how:

S. van Roode, [write the title as you see it above this post], published on the Bedouin Silver website [paste the exact link to this article], accessed on [the date you are reading this article and decided it was useful for you].

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery, and obtained her PhD at Leiden University on the jewellery of the Egyptian zar-ritual. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.