The Maria Theresia Thaler

Coins in jewellery

The Maria Theresia Thaler in Middle Eastern jewellery

Published Feb 26, 2024

The Austrian Maria Theresia Thaler was to become the most widespread and well-known coin in Africa and Asia. It is the first international coin, and it was particularly popular in the Middle East and North Africa. What is the story behind this popular coin?

The Maria Theresia Thaler: its history

The Maria Theresia Thaler gets its name from Habsburg heiress Maria Theresia. Maria Theresia ascended to the throne of the Habsburg empire in Vienna aged 23, on the death of her father Charles VI. She was crowned Queen of Hungary in 1741, Queen of Bohemia in 1743, and bore the title of Empress from 1745, when her husband became Holy Roman Emperor Francis I. From 1741 onwards, she had her own coins minted.

Maria Theresia ruled for forty years. She had sixteen children, one of which was the ill-fated Marie-Antoinette who would, much later, be beheaded in the French Revolution. But what she really managed to pull off was improving the economic situation of the empire. When she came to the throne, it had serious debts, and it took a determined CFO to get the empire afloat again.

From 1753, the Maria Theresia Thaler became increasingly popular; the empress officially announced the silver content of this and other coins to be minted in Bavaria and Austria, and set the exchange rates and the design standards in a treaty with Bavaria.

Being officially guaranteed and very hard to forge due to the intricacies of the design, the coin quickly became much sought after by traders and merchants.

What does the name thaler mean?

The word thaler refers to the Joachimsthal (meaning Joachims’ Valley) in Bohemia, and it was here that silver was mined and minted into large silver coins. After the source of the silver, they were called thalers. Soon this German word became the generic term for basically any large silver coin and, as such, was quickly absorbed into various other languages. And you are very familiar with it: this word became ‘dollar’ in English.

Maria Theresia Thaler: enduring heritage

When Maria Theresia died in 1780, the coin was still in such high demand that it continued to be struck, forever bearing the date of 1780. These are called restrikes. It was accepted as official currency in Austria until 1858, when it continued to be in use as official trade coinage, but no longer as domestic currency. Since then, the coin has been in almost continuous production.

It played an important role in the coffee trade, was used in World Wars I and II to pay North-African allies and has acted as official currency innumerable times. Today, it is still used in the markets of Oman as a solid weight to measure silver objects. Actually, it is still produced by the Vienna Mint, and estimates have anywhere between 300 million and a staggering 800 million MTTs in existence today.

Maria Theresia Thaler: its many names

In European shorthand, the Maria Theresia Thaler is often abbreviated to MTT.

The MTT was the most popular coin in circulation in North Africa and the Middle East and went by many names: Abu Tayr (Father of Birds) referring to the imperial eagle; Abu Nuqta (Father of Dots) a reference to the number of pearls on the brooch of the empress; and Abu Rish (Father of Feathers) a name suggested by the eagle’s many tail feathers.

All these distinctive features were used to check the authenticity of the coin. Because, as I will show you later, this coin was imitated as a large scale. In purely monetary terms, the coin was referred to as Riyal Faransawi, (French Riyal) or Riyal Nimsawi, (Austrian Riyal).

Maria Theresia Thalers in jewellery from North Africa and the Middle East

The MTT is used in jewellery from the Maghreb all the way to Southeast Asia. You’ll find it in three ways:

1 – As complete coin. The coins are added to headdresses, necklaces, face veils and even rings. They may have bails added to them to facilitate stringing, or holes pierced into them to sew them firmly to a textile backing.

Usually, the visible side of the thaler is the reverse, depicting the eagle and coat of arms; since representations of human beings are forbidden in Islam, the coin is usually worn with the effigy of the empress on the underside.

2 – Fashioned into another shape. In this case, the coin has been altered, but can still be recognized. Examples are the crosses from Ethiopia, where the central element of the coin can still be seen in the centre (so the portrait of the empress or the coat of arms).

3 – Invisibly. Unbeknownst to most people, the thaler even has an invisible presence. Its high-grade silver content made it the material of choice for a lot of silver jewellery. Occasionally, the coin was fashioned into a pendant, on which traces of the original can still be seen, but the coins were more commonly melted down and reused completely.

Most thalers in jewellery are restrikes, all bearing the date of 1780. That does not mean they are actually from 1780: in fact, they may be relatively new.

Just like the pillar dollar, this coin was imitated very often, too. This was to serve more as a status symbol than as actual currency, and so you’ll find imitations in a varying range of success.

The Maria Theresia Thaler: the most popular coin in jewellery

You’ll see MTT’s used in jewellery very, very often! Sometimes, they have sat together for so long that it reflects in their wear patterns, and sometimes they are so new that the design is still crisp and fresh. Both old and new coins, as well as their imitations, reflect the importance of a steady source of silver for both economical purposes and jewellery: a tradition that has continued for 3 centuries!

This article is based on my book Desert Silver.

—

More posts on the stories objects may hold? Browse them all here!

Join the Jewellery List and receive new articles, jewellery news and more in your inbox!

More on the use of coins in jewellery from the Middle East and North Africa? Check out the course on Dowry & Status!

—

References

[1] Although the pillar dollar was a coin of equal importance, many more books have been dedicated to the Maria Theresa Thaler. See for example Gervais, R. 1982. Pre-Colonial Currencies: A Note on the Maria Theresa Thaler, in: African Economic History No. 11 and Pond, S. 1941. The Maria Theresa Thaler. A famous Trade Coin, in: Bulletin of the Business Historical Society Vol. 15 No. 2. A very helpful book is Semple, C. 2005. A Silver Legend: the story of the Maria Theresa Thaler, Barzan Publishing.

[2] Vale describes how in Siwa oasis silver coins, obtained after selling a good harvest, were sent to the silversmiths to be melted down and turned into jewellery. See Vale 2011, p. 32.

Would you like to quote this article? Please do! Here’s how:

S. van Roode, [write the title as you see it above this post], published on the Bedouin Silver website [paste the exact link to this article], accessed on [the date you are reading this article and decided it was useful for you].

The Bedouin Silver Jewellery Blog: Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery, and obtained her PhD at Leiden University on jewellery, informal ritual and collections. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only. Sigrid strongly believes in accessibility of knowledge, and aims to provide reliable and trustworthy content: that’s why the Bedouin Silver blog provides references and citations.

Spanish pillar dollar

by dr. Sigrid van Roode | Objects

Coins in jewellery

The Spanish Pillar Dollar in Middle Eastern jewellery

Published Jan 10, 2024

Here is a coin that has been very popular in North Africa and the Middle East for centuries! And what is more, its name is still pronounced many times a day, and it captures popular imagination – even yours, although you may not realize it yet… But when it comes to jewellery from the Middle East & North Africa, this is one of the forgotten coins. Its obscurity is totally undeserved, however, so let’s look at the many lives of the pillar dollar!

Pillar dollar: what is it?

The pillar dollar is among the very first machine-tooled coins. Before that, coins were struck manually. The size and even the silver content of coins had varied greatly since Antiquity, but these new Spanish coins? They were something else! They always had the same shape, size, weight and decoration – they were reliable. [1]

The pillar dollar was produced from 1732 onwards. These coins get their name from the two pillars of Hercules on the reverse. These refer to the two rock formations in the Street of Gibraltar. You’ll see in the image above (and in the detailed photos below) that the pillars flank a crowned coat of arms: a not-so-subtle way of saying Spain dominated both the old and the new world.

And that new world is where these coins were produced. The denominations of 8, 4, 2, 1 and .50 Spanish reales (pronounced ‘ray-al-es’) were made of silver mined in Middle America. The coins were exported to Europe: just imagine those galleons, loaded with treasure chests brimming with actual money, sailing across the Atlantic….and you’ll get why all the classic piracy tales involve ‘pieces of eight’ – those are the 8 reales coins.

Pillar dollar and the world economy

That eight reales coin grew increasingly popular because its silver content was consistent, and it was widely available. It was, in other words, a stable coin that would not lose its value any time soon.

It was widely used in the Ottoman Empire, and so you will find it labeled with many names in Turkish: it was variously referred to as kara kuruş, kebir kuruş, tamam kuruş, real kuruş and riyal.

And that is how it ends up being pronounced hundreds of times a day- today! Riyal is a derivate of its Spanish name, real. It remained the word of choice in Arabic to indicate official coins. [2]

Pillar dollars in jewellery from the Middle East & North Africa

Before banks, before plastic money and cryptocurrency, jewellery was the way to go for building up capital and emergency resources. Coins were worn on clothing and in jewellery: as savings, but certainly also to show off.⁠ The value of coins was, like jewellery itself, in their content of precious metal: even when it had been altered, its silver value would still be valuable.⁠ And the pillar dollar was a prized coin, precisely because of its silver content.

In Egypt, the coin was often worn as pendant on a necklace, like the coin shown above. This is an actual pillar dollar from 1817. In Egypt, the coin was called Abu Madfa, Father of Cannons: the Pillars of Hercules were interpreted as cannons.

Because of that interpretation, the coin soon became a much sought-after amulet as well: as cannons are made of iron, a material that jinn are afraid of, wearing a coin that showed two sizeable cannons would surely keep them at a distance!

A Spanish imitation pillar dollar in a silver necklace from southern Egypt.

Pillar dollars: imitation coins in jewellery

Because of this huge popularity, both as currency and as adornment, the pillar dollar was imitated at a large scale. That is more a matter of ‘keeping up appearances’ than actively engaging with counterfeit money – no one expected to be paid in fake pillar dollars, but wearing them sure looked good from a distance!

And for its function as an amulet, it really did not matter much if the coin was real: as long as those pillars were on it, it was all good. The gallery above shows a few of those imitations of the pillar dollar, in varying degrees of success: all of these were used in jewellery and adornment from the Middle East and North Africa.

The pillar dollar: a universal coin in jewellery

So you see how this coin once was of great importance for trade and commerce. But coins like these have many lives: as currency, as adornment, as amulet, and also as collected object. It’s never just one thing, and that makes these pieces so meaningful!⁠

This blog is based on my book Desert Silver.

—

More posts on the stories objects may hold? Browse them all here!

Join the Jewellery List and receive new articles, jewellery news and more in your inbox!

More on the use of coins in jewellery from the Middle East and North Africa? Check out the course on Dowry & Status!

—

References

[1] Schienerl, P.W. 1981. Spanish/Mexican Dollars in Egypt: Currency – Raw material for Silversmiths – Ornament – Amulet, in: Ornament 5 (3).

[2] Some collectors have taken to call the pillar dollar riyal, too, instead of real: an interesting form of reversing this linguistic journey.

Would you like to quote this article? Please do! Here’s how:

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.

Parfums d’Orient: book

by dr. Sigrid van Roode | Reviews

Institut du Monde Arabe

Parfums d’Orient: the catalogue

Published on Jan 8, 2024

The wonderful exhibition Parfums d’Orient, in the Institut du Monde Arabe in Paris, came with its very own publication. The book, too, is called Parfums d’Orient, and it is as beautiful as the exhibition itself.

Ancient stone incense burner from the Arab Peninsula

Parfums d’Orient: the catalogue

The book presents 26 essays by renowned authors. The essays are grouped into four main parts: natural resources for perfumes, the art of perfuming oneself, fragrance and the invisible world, and fragrance in and around the house. As such, the catalogue follows the design of the exhibition and paints a complete picture of the world of fragrance.

The book starts out with an introduction of fragrance. How does it affect our mood? Why is it important to have around us? And how does our sense of smell actually work? A series of essays sets the scene to understand the role of fragrance in our personal lives, and the cultural interconnectivity that perfumes from the Middle East represent.

Parfums d’Orient: the bounty of nature

The first essays are devoted to ingredients and perfume history. I enjoyed the beautifully illustrated essays on Damascene rose, oud, ambergris and musk. The historical background explains how scented paths crossed, resulting in the familiar fragrances of today, while the essay on the perfumer’s art sheds light on both the past and the future of perfuming.

Parfums d’Orient: perfuming oneself

The second part explores the realm of science and history. Here, we learn of medieval manuscripts with perfume recipes, the trade in incense and the beautifully designed perfume flasks. An exploration into the bath house reveals the use of fragrance in relation to health and well-being.

I really liked the personal point of view on perfuming in the essay on perfume and art: imagine, indeed, losing your sense of smell as a result of the pandemic. Suddenly, the world becomes one-dimensional and plain; fragrance is of greater importance than we might think.

Parfums d’Orient: fragrance and the invisible world

Now this is one of my favourite angles, and if you have taken my course Scents of the Middle East, you’ll have seen why! Fragrance itself is like an invisible power that may affect our happiness and sense of wellbeing. This part of the catalogue addresses that supernatural capacity of scent throughout the ages.

Ancient Egypt, early Christianity and Judaism as well as Islam have their own spiritual connotations with fragrance, and these are explored in separate essays. The special essay on fumigations and magic is short, but fascinating!

Parfums d’Orient: perfume in and around the house

And this is where the jewellery is….! Scented paste and fragrant beads are shown in relation to the intimacy of marriage, adding yet another layer to the meanings perfume may carry. That extends to perfuming one’s guests and spicing dishes, both of which are discussed, too.

Parfums d’Orient: art, research, history, science

The catalogue is beautifully illustrated, showing you everything from ancient artefacts to modern art, from sweeping landscape views to medieval manuscripts. What I really loved about this book is that it seamlessly integrates the historical and cultural background of fragrance with art and lived experiences. As such, it really conveys the importance of the senses for our everyday existence. Fragrance is part and parcel of every aspect of life, and the exhibition catalogue absolutely brings that point across.

Parfums d’Orient. By Hanna Boghanim and Agnes Carayon (eds) (2023). 223 pages, full-colour, in French. Published by Institut du Monde Arabe/Skira.

Available with the publisher and in the museum shop of the Institut du Monde Arabe.

I purchased the book in the museum shop of the Institut du Monde Arabe upon my visit of the exhibition.

—

Explore the world of fragrance in the course Scents of the Middle East!

More posts on exhibitions and museums? Browse them all here!

Join the Jewellery List and receive new articles, jewellery news and more in your inbox!

—

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.

100 jewellery blogs

by dr. Sigrid van Roode | Opinion

Jewellery blogging

100 jewellery blogs

Published Dec 29, 2023

This piece is the 100^th blog on jewellery! Would you believe it? Time truly flies. A lot can happen in 100 blog articles, and so I wanted to share more of personal perspective on the things I learned during these 100 blogs on jewellery from the Middle East and North Africa. Settle in for the good, the bad and the amazing of blogging on traditional jewellery!

Collecting silver jewellery from the Middle East and North Africa

But first, a little on how I got into this! I started collecting jewellery back in 1995. At that time, I was a student of Egyptology, and I loved hanging out in Cairo’s Khan el-Khalili to look for old jewellery. It still feels like yesterday, even though it’s almost 30 years ago.

Now in those days, the Internet was not what it was today. Social media were not invented yet (I know! Shocker!), having a personal email address was new, and any information still traveled slowly. These were the days that a computer was a big plastic box that could handle all of 250 MB, most households still had one telephone in a fixed place, and when I went to Egypt to work on an excavation, chances were my family would receive my letters only after I had returned.

That went both ways: the most exciting part of working on an excavation was heading out to Cairo once a week, and check if letters from friends and family had been delivered.

So that tells you two things: yes, I am that old, and there was very little reliable info on jewellery around when I just started out. The excitement when a new book appeared on jewellery was just as intense as that feeling of joy when a handwritten letter had found its way to me in Cairo – wow! Something new to read!

A silver amulet container from Egypt, placed on handwritten Arabic magic squares

Blogging on traditional jewellery from North Africa and the Middle East

How different things are today – there is so much out there on all things jewellery from North Africa and Southwest Asia! At just a click of a mouse or a tap of the finger, there is a world of images and info available that I only could have dreamed of all those years ago. To me, it is absolutely fantastic to browse Pinterest-boards and chat with people from all over the world through social media who share that passion for traditional jewellery.

But…that is also where the flip side is, I think: in the lightning speed with which information travels the Internet and our ever-shortening attention span. When I do online research, I come across the same tidbits of info repeated again and again. Absolutely, there is so much interesting stuff out there! That also includes tons of content that is copied and shared over and over again, but not necessarily always true or even reliable. More, yes, but not always better.

Jewellery blogging: all the good

That is partly why I decided to start a blog. The other reason, of course, is that I just love talking about jewellery! And, as it happens, I also really, really love to write.

By starting my own blog, I could write about everything I find fascinating or beautiful about traditional jewellery – and that is a lot. A hundred posts on jewellery from the Middle East and North Africa, and it feels like I’m just getting started!

The absolute amazing part of blogging is the number of people I have ‘met’ through blog posts or social media posts. I could never have dreamed of the community I found simply by writing about jewellery, and starting a blog honestly is one of the best decisions I ever made.

Nerding out in the notes: jewellery blogging with transparency

Blogging provides me with the opportunity to add solid information to the digital world. And one of the things I learned in the past 100 jewellery blogs is that I prefer to include references. At the end of most of my blog articles, you will find the exact place where I got specific information from. If it’s available online, I include a link to it. If someone told me, I am clear about that, too.

I want to be as transparent as possible on where I get my information from. Providing clear references helps all of us with our own research. That’s why referencing is standard practice in published articles, and I don’t see why I should not apply the same to blog posts. You can always skip them, they’re at the bottom end for a reason!

Detail of coins and beads on a bright red Palestinian headdress

Blogging on jewellery collection management

There is a segment to jewellery collecting that does not get all that much attention online: how to actually manage a collection of traditional jewellery from the Middle East and North Africa? There are practical aspects to consider like cleaning silver, storing and documenting, but what to do with your jewellery collection later in life? Sell it, donate it…and how to go about that?

And then there are the ethical and legal aspects to consider. What about coral beads, ivory bangles, excavated beads, archaeological jewellery…can these just be bought and sold? And what is this whole provenance-discussion about, specifically for collectors of traditional jewellery from the Middle East and Southwest Asia?

I decided to blog about those practical things, too, and over the past 100 blogs I learned that these tips for jewellery collectors are among the articles that you refer back to most often. I’m really glad to be of help in this way!

Sigrid van Roode, wearing a summer dress, reading books on Tuareg jewellery

Blogging about jewellery books

Even though the digital world is amazing, I adore books. There are a lot more of those since I first started out, too, and one of things I love doing the most is reviewing the latest books on jewellery and related fields for you. Opening that package straight from the publisher still brings the same level of excitement as 30 years ago! I guess I’m one of the biggest book nerds you’ll ever meet.

Over the past 100 jewellery book blogs, I learned that you like these posts: they are appreciated by people who are on the fence on whether or not to buy a particular jewellery book, and by people looking for titles they might enjoy.

Here as well, I found that being transparent adds to the value of the blog: I’ll always mention whether I received a book as an advanced reading copy, or if I purchased it myself, whether it was gifted by the author, or any other way a book may have found its way to me.

The tarnish on jewellery blogging: copyright things

Blogging sounds simple, but it is not the marshmallow-hued world of sipping latte’s in fashionable coffeerooms that the Internet would have you think of: a lot of work goes into these articles. Especially if you’d like your photos to look nice and your texts to be referenced. Writing blog posts just takes serious time.

And then suddenly, there is that first realization that someone has copied your work, copyright policy nothwithstanding. That is a reality I learned in 100 blog posts, too.

Here are some examples of things that actually happened. Please forgive me if the following sounds blunt! But I promised you the bad, too, so here we go.

I’ve had some of my photos decapitated to cut off the ‘Bedouin Silver’-text (granted, the text was at the bottom of the image, so it’s more like defooted) – and in doing so, part of the object on the photo was removed, too. It’s beyond me how anyone could want to pass off a photo as their own so badly they would purposefully damage the image itself, too.

I’ve had people copy my social media posts and present it as their own. It happens a lot with the texts I wrote with those posts: these I regularly find literally copy-pasted into online sellers’ descriptions; without acknowledging that it was not them who researched and wrote those lines.

A special shout-out at this point to jewellery dealers with online galleries of traditional jewellery: I know your images are getting snatched, too, and presented in shady online shops as if they were for sale. I feel you!

But: it gets even crazier. I’ve seen people give talks in which their presentation sheets were made of my photos and texts, but without a single credit line. That has happened to other researchers I know, too, one of which actually attended a talk made largely with her material. It made for a super awkward Q&A.

To be completely honest with you, it still hurts each and every time I see my work copied and shared without proper credit. I can’t think of another label to put on that feeling. I don’t mind the sharing itself (on the contrary, I’d say!) but please do me the courtesy of acknowledging my time and effort.

Well, that was it for the bad! After writing 100 posts though, I can confidently say that the good outweighs everything else. So…

…another 100 jewellery blogs coming up!

All of the appreciation, friendship and community (as well as the occasional copyright infringements) I get, signal one thing: apparently, this type of jewellery blog is just the thing people are looking for.

I honestly love receiving your feedback, the friendships that have formed over the years and the lively jewellery discussions I have had. I’ll be blogging away on this end, and I’m excited to continue contributing to the jewellery community of collectors, researchers and scholars.

Another 100 jewellery blogs…? Coming right up!

—

Join the Jewellery List and receive new articles, jewellery news and more in your inbox!

More historical background on jewellery from the Middle East and North Africa? Check out the course on Ancient Jewellery!

—

Would you like to quote this article? Please do! Here’s how:

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.

Gold dinars at a glance

by dr. Sigrid van Roode | Reviews

Un tresor en or: le dinar dans tous ses etats

Gold dinars from all sides

Published Dec 18, 2023

A small blog on a small book filled with treasure! The booklet ‘Un trésor en or – Le dinar dans tous ses États’, published by the Institut du Monde Arabe, is a lovely, and surprisingly complete, introduction into the field of gold dinars from the Islamic world. It’s primarily aimed at kids, but this slightly older kid enjoyed it, too!

Cover of the book Le dinar dans tous ses Etats

Gold dinars: the stories they hold

This tiny publication presents 428 gold dinars shown in the exhibition of the same name, held at the Institut du Monde Arabe in Spring 2023. In just 47 illustrated pages, it introduces the length and width of the world these coins represent. For example, did you know the word dinar is derived from the coin called denarius in Latin? I love these historical continuities.

The booklet explores where the gold for these coins came from, its preferred alloy, its shapes and inscriptions, but there is much more than that. Each spread in the book covers a different topic: Christian dinars, dinars with zodiac signs, calligraphy, names of sultans and caliphs…and let’s not forget dinars struck by women rulers.

It brings several useful introductory schematics, too: how to describe coins, a map with minting offices in the medieval Islamic world, and a very useful overview of all those dynasties and countries at a glance.

Gold dinars: a tiny treasure

Like I said, this is a very small booklet, but it covers much ground! Although it is primarily aimed at kids, I find it a very well executed example of introducing the span of stories a coin can share to a wider audience. It is accessible, abundantly illustrated, and informative: a tiny treasure in itself.

And that makes me look forward to the forthcoming publication of the coin collection in the Khalili Collections even more…!

More information on Un trésor en or – Le dinar dans tous ses États’

Title: Un trésor en or – Le dinar dans tous ses États’. 2023 47 pages, full colour, in French.

Published by the Institut du Monde Arabe (IMA), Paris.

Available in the webshop of the IMA.

I purchased this booklet in the museum shop of the Institut du Monde Arabe, Paris.

—

Where can I find more on traditional jewellery from Southwest Asia and North Africa?

More book reviews of jewellery books? Browse them all here!

Never miss a thing on jewellery news? Join the Jewellery List and find them in your inbox each month!

Looking for background information on your jewellery? Have a look at the courses – there’s so much available on the world of the jewellery from North Africa and the Middle East!

—

Would you like to quote this article? Please do! Here’s how:

Sigrid van Roode

Sigrid van Roode is an archeologist, ethnographer and jewellery historian. Her main field of expertise is jewellery from North Africa and Southwest Asia, as well as archaeological and archaeological revival jewellery. She has authored several books on jewellery. Sigrid has lectured for the National Museum of Antiquities in Leiden, Turquoise Mountain Jordan, and many others. She provides consultancy and research on jewellery collections for both museums and private collections, teaches courses and curates exhibitions. She is not involved in the business of buying and selling jewellery, and focuses on research, knowledge production, and education only.

« Older Entries